Allen, Jan. The Female Imaginary (exhibition catalogue). Kingston: Agnes Etherington Art Gallery,1994.
Boss, Michael. The Bloody Theatre: Giving Death Its Due and Angela Plohman, At a distance: Investigation sensorial response (exhibition brochure). St. Norbert Arts and Cultural Centre, 1999.
Brunner, Astrid. “Diana Thorneycroft: Touching: the Self”. Blackflash vol. 9, no. 2 (Summer 1991), pp. 7-12.
Carver, Antonio, ed. Blink. Phaidon Press, 2002.
Churchill, David. Canadians and Americans (best friends
forever…it’s complicated), exhibition catalogue, Michael Gibson Gallery, London, ON, 2013
Cousineau-Levine, Penny, Faking Death. McGill-Queen’s University Press, 2003.
Cronin, Ray, Arena: The Art of Hockey. (exhibition catalogue) Art Gallery of Nova Scotia, 2008.
Dahle, Sigrid. a slow remembering (exhibition brochure). Winnipeg: The Floating Gallery,1994.
Dempsey, Shawna. and Millan, Lorri (exhibition catalogue). Subconscious City. Winnipeg Art Gallery, 2008
Dunbar, Elizabeth. Not So Cute and Cuddly: Dolls & Stuffed Toys in Contemporary Art, Ulrich Museum of Art, 2003.
Enright, Robert. “ Ideas of North”. Border Crossings , Issue No. 104, 2007
______.“Rituals of Outrage”. Border Crossings Issue No. 72, pp. 5-6.
______. “Memory Feeder: Subjects and Objects in the Art of Diana Thorneycroft”. Border Crossings, vol.15, no.3 (Summer 1996), pp. 22-33.
______. “Touching the Self: Diana Thorneycroft Pura: Recent Photographs”. Border Crossings, vol.9, no. 4 (Fall 1990), pp. 68-75
Fulton, Keith Louise. Opening the Body to Questions, and Shirley Madill. Staging the Self (exhibition brochure). Winnipeg: Winnipeg Art Gallery, Spring 1991
Garneau, David. Diana Thorneycroft: A People’s History (exhibition brochure). The Art Gallery of Regina, Regina, SK, 2011
Gilmore, Alison. Dirty Pretty Things, Blackflash, Winter, 2009
Greenhill, Pauline. Natalka Husar and Diana Thorneycroft versus the Law: A Critical Feminist Consideration of Intellectual Property and Artistic Practice, Project Muse: Scholarly journals online, 2008.
______. Making Illegal Art: Two Feminist Artists Resist Copyright Law in Lisa Dresdner and Laurel S. Peterson, (Re)Interpretations: The Shapes of Justice in Women’s Experience, Newcastle-Upon-Tyne: Cambridge Scholars Press.
Gustafson, Paula and Carol Williams. Search, Image and Identity: Voicing Our West (exhibition catalogue). The Photographers Gallery, Saskatoon, SK, 1994
Hatt, Gordon, ed. The Doll Mouth Series, Rodman Hall, University of Brock Press, 2006
Keshavjee, Serena, ed. Slytod, School of Art Gallery 1.1.1 and The University of Manitoba Press, 1998
Langford, Martha. “In the Playground of Allusion”, Exposure, 1998, Volume 31 3/4
Lee, Holly. “China Photo & World Net – Xing Danwen & Diana Thorneycroft”, Photo Pictorial, Vol. 426, January 2004, Hong Kong, pp 20-27
Lemecha, Vera, ed. “The Female Grotesque”, Inversions, MAWA, 1998, pp. 13-24
Lipsett, Katherine. “Place of Meaning”, Blackflash, vol. 11, no. 4, (Winter 1993), pp. 4-8
Lovatt, Tom. “On the Skin: Notes Towards a Definition”, Critical Distance, Winnipeg: Ace Art,Vol.1#19 (1996)
Madill, Shirley. “Aioria (Dancing with the Spirits in the Pale Moonlight)” , IN VERSIONS, vol.1, no. 2 (Fall 1990)
Mark, Lisa and Buchanan, Hamish. The Pressing of Flesh, exhibition catalogue, Winnipeg: The Floating Gallery,1993
Melis, Wim. Act of Faith, Amsterdam, Idea Books, 2007
Meskimmon, Dr. Marsha. “The Monstrous and the Grotesque”, Make, no. 72 (October- November 1996), pp. 6-11
Pickering, Carol. “An Other Manitoba Photography”, Blackflash, vol.8, no.3 (Fall 1990), pp. 3-8
Stahel, Urs. ed. Darkside I Photographic Desire and Sexuality Photographed. Fotomuseum Winterthur, Switzerland, Steidl, 2008. Tamplin, Illi-Maria. Winnipeg Works on Paper, exhibition catalogue, Peterborough: The Art Gallery of Peterborough, 1988
Thorneycroft, Diana. Canadians and Americans (best friends forever … it’s complicated), Michael Gibson Gallery (catalogue), 2013
Thorneycroft, Diana. “Fowl is Fair & Fair is Fowl”, Border Crossings, vol.5, no.2 (Spring 1986).
Townsend, Chris. Vile Bodies: The Crises of Looking, Munich: Prestel-Verlag, 1998
Walsh, Meeka, ed., The Body, its lesson and camouflage , Winnipeg: Bain and Cox, 2000
————. “Fowl is Fair & Fair is Fowl”. Border Crossings, vol.5, no.2, Spring 1986
————. “Memory Feeder: Subjects and Objects in the Art of Diana Thorneycroft”. Border Crossings vol.15, no.3 (Summer 1996), pp. 22-33.
————. “Touching the Self: Diana Thorneycroft Pura: Recent Photographs”. Border Crossings vol.9, no. 4 (Fall 1990), pp. 68-75
————. Scissors, Paper, Stone, McGill-Queen Universtiy Press, 2007
————-. New Art From Manitoba, exhibition catalogue,Winnipeg: Winnipeg Art Gallery, 1983
————. The Art of Reflection: Women Artists’ Self Portraiture in the Twentieth Century, London: Scarlet Press, 1996
————. “Snare”, Light Year, A Festival of Photographies, Winnipeg: The Floating Gallery, 1997